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      things that should have been a
                   simple blip on our ecg
             have become a constant

                     razor-straight

                     scream of discontent.

      like so many books on a library shelf,
            (thanks to the dewey decimal system of our lives)
  our sins had become mechanized,
                      categorized,
                      ostracized,
              but not forgotten.

               "there are ways,"
          we were told,

               "there are ways to deal with your problems.
                there are ways to become kings and aces.
                pretty, painless, perfect ways to label,
                file, and defile your faces."

               "there are ways,"
          we were told,

               "to teach yourself to swallow your pride.
                (it's easier if you plug your nose.)
                hold your breath, take a seat.
                settle down. you'll be here for a while."

          we locked eyes, like the many times before we had locked other things.
             limbs. lips. hands. hearts.
                it was never really enough.

                   our locks have been picked,
                      mechanized, categorized, ostracized,
                         prodded and poked into paralysis --
          dewey decimaled and diminished.

          we hooked ourselves up to tubes full of poetry,
             hoping that gravity would send it dripping into our thirsty bodies

                                                but you drank Poe
                                                and i drank Plath.

          we tried to find a gauge to quantify the way we were.

                                                Alfred Kinsey had nothing on us;

                but for all our abnegation, all our consternation,
             all our degradation in the name of fairy-tale love,

          we could not create an equation that explained where we went wrong.

          we flipped frantically through the connotations of denotations,
       addicted to diction,
    fascinated by friction,

               completely smitten.

          we blew the dust off of musty pages
                  in our desperate dance over worn-out carpets,
              up and down the rickety metal staircases,
                        through the narrow pathways of knowledge.

               "there are ways,"
          we were told,

               "to fix those broken spines."

                       the ecg is screaming
                       and all we have left,

                                     infused as we are with Plath and with Poe,

                       is rows of novels about the way things could have been:
                      mechanized
                     categorized
                   ostracized

                  and real.
©2009 ~Satah
:iconsatah:

Author's Comments

ath⋅e⋅nae⋅um
a library or reading room; a sanctuary at Athens which was frequented by poets and scholars


a collaboration between myself and the seriously talented :iconcitysilence: (: she's a great writerpoetetc., and you guys should all go check her out.

while writing this poem, we also came up with another collabo... but it's a secret! ;) a very, very exciting secret that you will just have to wait to hear more about. BWAHAHA

anyway, yes. hurray.

|[ thou shalt not use poetry, art, or music to get into girls' pants. use it to get into their heads. ]| emilyorate! says (9:38 PM):
oooh, i like that, yeah
Kate says (9:38 PM):
but maybe I'm just crazy and grammatically the second with is unnecessary.
|[ thou shalt not use poetry, art, or music to get into girls' pants. use it to get into their heads. ]| emilyorate! says (9:38 PM):
you know what poetry says to grammar most of the time?
|[ thou shalt not use poetry, art, or music to get into girls' pants. use it to get into their heads. ]| emilyorate! says (9:39 PM):
fuck you.
that's what poetry says to grammar

list of collaborations.

Comments


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:iconkagenokarasu:
Holy crap, that was awesome.

The rhymes, and the big words, and the imagery, but mostly the rhythm.

The rhythm made it immensely enjoyable to eat... errr, to read. Wonderfully done.

--
Hides in the corners of her mind, where she plays contently.
She leaves this nightmare far behind, she escapes inside her dreams.
:iconalecbell:
This looks interesting?

(I can't think why girl's pants have not much appealed to me)

--
There's always a better poem just out of reach.

Words create situations [link]

The roots of the future run deep [link]
:iconkecmenz:
use poetry
mind boggle

you can pick your
friends
and
you can pick your
locks
but
you can't pick
your friends locks

--
the anatogonist makes the protagonist stronger
:iconsatah:
thank youu (:

most of the big words are Kate's... she carries them far more elegantly than i could :D

ahaha, i eat poetry, too.

--
i wish that the library were open all night, because i like being there.
:iconsatah:
..sorry, what's this about girl's pants? :D

--
i wish that the library were open all night, because i like being there.
:iconsatah:
you can try but they might send you back to mother in a cardboard box

--
i wish that the library were open all night, because i like being there.
:iconkecmenz:
with no
air holes

--
the anatogonist makes the protagonist stronger
:iconalecbell:
My apologies, wrong poem. The reference is in Spilled Wine by :iconiampoetry:

--
There's always a better poem just out of reach.

Words create situations [link]

The roots of the future run deep [link]
:iconcrookd-bullet:
fantastique collab.! I loved the structure and the repetition of 'mechanized categorized ostracized'. This is just just just wonderful!

--
She has no heart but she dreams in old fashioned ways. - K.W.

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May 15
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